Ohio-based filmmaker Roger Beebe will be presenting a program entitled Films for One to Eight Projectors, featuring multi-projector performances on 16mm, along with premieres of several new single channel works on video.

During her fellowship, Bouchra Khalili is dedicating herself to Twenty-Two Hours, a video installation focusing on the politics of the relationship between author and character, as epitomized in Prisoner of Love (Un Captif Amoreux), Jean Genet’s last book, which linked the Black Panther Party and the Palestinian revolution.

During his Radcliffe fellowship, Benjamín Naishtat is developing a fictional-experimental feature film project adapted from The Seven Madmen, a 1929 Argentine novel by Roberto Arlt, in combination with a Jules Verne novel and a violin concerto by the contemporary Argentine composer Alberto Ginastera.

Seamlessly toggling between past and present, writer/director Jennifer Fox forges a fresh and uncompromising cinematic language to penetrate the heightened internal worlds of her character at two pivotal stages.

By turns a political documentary, an archival history, and a lyrical exploration of the relation between past and present, the film organizes itself around a trove of film footage taken during Guinea-Bissau’s war of independence from Portugal (1963-1974).