Santiago Mostyn is an artist whose practice foregrounds narrative entanglements in pursuit of new understandings of place, both in a cultural and psychic sense. Mostyn has long been interested in the interplay of music, narrative, and the embodied self, with works manifesting as films, exhibitions, and curatorial projects.

While at Harvard, Mostyn is working on an expanded film script that reimagines the events of the Grenada Revolution (1979–1983) from the perspective of three revolutionary educators, building a narrative from this historical moment of Black radicalism that presages contemporary struggles for political self-determination.